|
""M'' was Lang's first sound picture, and he was wise
to use dialogue so sparingly. Many early talkies felt they had to talk all the time, but Lang allows his camera to prowl through
the streets and dives, providing a rat's-eye view. One of the film's most spectacular shots is utterly silent, as the captured
killer is dragged into a basement to be confronted by the city's assembled criminals, and the camera shows their faces: hard,
cold, closed, implacable." Roger Ebert - Chicago Sun-Times
|